Difference between revisions of "Case Study 01: Magnetic Dreams / The Walkman"
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| + | The digital realm is an avant-garde to the extent that it is driven by perpetual innovation and perpetual destruction. The built-in obsolescence of digital culture, the endless trashing of last year’s model, the spendthrift throwing away of batteries and mobile phones and monitors and mice . . . and all the heavy metals, all the toxins, sent off to some god-forsaken Chinese recycling village . . . that is the digital avant-garde. | ||
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| + | ''Sean Cubitt interviewed by Simon Mills, Framed, online at <www.framejournal.net/interview/10/ sean-cubitt> | ||
| + | '' | ||
[[File:Walkman01.jpg]][[File:Walkman02.jpg | 500 px]] | [[File:Walkman01.jpg]][[File:Walkman02.jpg | 500 px]] | ||
Revision as of 18:45, 9 September 2019
The digital realm is an avant-garde to the extent that it is driven by perpetual innovation and perpetual destruction. The built-in obsolescence of digital culture, the endless trashing of last year’s model, the spendthrift throwing away of batteries and mobile phones and monitors and mice . . . and all the heavy metals, all the toxins, sent off to some god-forsaken Chinese recycling village . . . that is the digital avant-garde.
Sean Cubitt interviewed by Simon Mills, Framed, online at <www.framejournal.net/interview/10/ sean-cubitt>
