Difference between revisions of "The dying art of computer viruses"

From Interaction Station Wiki
Jump to navigation Jump to search
Line 3: Line 3:
 
* [https://en.wikipedia.org/wiki/Timeline_of_computer_viruses_and_worms Timeline of Viruses and Worms (wikipedia)]
 
* [https://en.wikipedia.org/wiki/Timeline_of_computer_viruses_and_worms Timeline of Viruses and Worms (wikipedia)]
  
 +
From Gramam Cluley [https://www.virusbulletin.com/virusbulletin/2013/08/dying-art-computer-viruses]:
 
In those days, it was often hard not to be aware that you had a virus. The New Zealand virus declared ‘Your PC is now Stoned!’, the Italian virus bounced a ping-pong ball across your screen, and the Maltese Casino virus played Russian Roulette with your file allocation table.
 
In those days, it was often hard not to be aware that you had a virus. The New Zealand virus declared ‘Your PC is now Stoned!’, the Italian virus bounced a ping-pong ball across your screen, and the Maltese Casino virus played Russian Roulette with your file allocation table.
  

Revision as of 12:26, 23 March 2016

History

From Gramam Cluley [1]: In those days, it was often hard not to be aware that you had a virus. The New Zealand virus declared ‘Your PC is now Stoned!’, the Italian virus bounced a ping-pong ball across your screen, and the Maltese Casino virus played Russian Roulette with your file allocation table.

Sure, all of these viruses were irritating – they spread without your consent, and ate up system resources – but only some of them were deliberately destructive. In many ways, a lot of the malware could justly be compared to an electronic form of graffiti – the Green Caterpillar, for instance, which crawled across your screen, eating up letters and pooping them out in a shade of brown.

Even as malware turned nastier and more destructive, there was still some art to be seen. Virus-writing gangs like Phalcon/SKISM used colourful ANSI-style art to declare that they had infected your computer. Viruses like Phantom, with its use of 256-colour palette cycling and displaying a large skull, and Spanska, with its simulated flight across the Mars landscape, probably demonstrated a high point for art in viruses.

Working of a Virus

Collections

Setting up the lab environment